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14b Lesson - Secondary Leading-tone Chords

Class discussion

Chord vs. Function

What is the difference between dominant chord and dominant function? A dominant chord is the V or V7, and brings us back to the tonic. Function is the reason the dominant chord goes back to the tonic. When things that aren’t the dominant function as a dominant, that is a functional substitution. Dominant function includes other chords. A viio is the most simple example of a chord that shares dominant function with the V7, but we can have other chords that function as a dominant. A viio chord shares a dominant fuction with the V7, because it is the upper structure of a V7 chord.

Changing ii7 to a dominant seventh chord

Soprano: C5 - C5 - C5 - B4 - C5

Alto: E4 - E4 - F4 - G4 - E4

Tenor: G3 - A3 - A3 - B3 - G3

Bass: C3 - A2 - D3 - G2 - C3

Roman Numerals: I - vi - ii7 - V - I

  • If you raise the F to an F# in the Alto line, you get a V7/V in the place of the ii7.

Take the same example, and add a ii7 before the V7/V.

Soprano: C5 - C5 - C5 - C5 - B4 - C5

Alto: E4 - E4 - F4 - F#4 - G4 - E4

Tenor: G3 - A3 - A3 - A3 - B3 - G3

Bass: C3 - A2 - D3 - D3 - G2 - C3

Roman Numerals: I - vi - ii7 - V7/V - V - I

Now, turn the ii7 into a viio/V.

Secondary Leading-tones

Secondary leading-tones create a viio that leads to the dominant. In C, the secondary dominant for V7/V is D7, and the secondary leading-tone is F#o. Where G is our dominant, D7 (V7/V) is the dominant to G, and F#o (viio/V) is the leading-tone to G.

  • this is why secondary functions are labeled as a slash over a chord
  • the top chord is the function, and the bottom chord is what the chord is functioning towards

Example in C

Make the ii7 a viio/V

Soprano: C5 - C5 - C5 - B4 - C5

Alto: E4 - E4 - F#4 - D4 - E4

Tenor: G3 - A3 - A3 - G3 - G3

Bass: C3 - A2 - A2 - G2 - C3

Roman Numerals: I - vi - viio/V - V - I

  • Part writing for any viio is difficult.
  • Changing it to a vii%7 gives you more options to avoid part writing errors.

Make the ii7 a vii%7/V

Soprano: C5 - C5 - C5 - B4 - C5

Alto: E4 - E4 - E4 - D4 - E4

Tenor: G3 - A3 - F#3 - G3 - G3

Bass: C3 - A2 - A2 - G2 - C3

Roman Numerals: I - vi - vii%7/V - V - I